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Sculpture of the overage ground of Ancient EgyptIntroduction Egypt is situated in the north-eastern corner of the African continent. It is make up of two very different regions--Upper Egypt and Lower Egypt. Lower Egypt--the Black soil as it was also called by the ancient Egyptians--with its fertile soil raze along the Nile River makes up the northern p artistic production of the country. The Red Land--the Upper Egypt--is a desertous southern part with the red, sun-baked soil. The history of ancient Egypt starts around 3000 B.C. when, according to the tradition, Menes Narmer corporate the two lands and founded the first dynasty. That was the beginning of the Old Kingdom--the period of stability of the put forward that lasted until 2263 B.C. and included the dynasties Ist to VIth. Old Kingdom is known as the Golden succession of Egyptian art during this period the famous pyramids of Giza and the legendary Sphinx were built and the formula that lasted for two millenniums was e stablished.Influences Even though Egyptians were the first to build a politeness they werent the first artists. Obviously the first artists on Earth were the counterminemen who produced the beautiful cave paintings found all over the world. However, the artworks that date tens of thousands of years back had small(a) influence--or at least little direct influence--on the Egyptian art. The characteristic features of the art of the Old Kingdom were derived almost exclusively from the works of the Bronze get on (4500-3000 B.C.). Made in that period, there were sculptures of animals that were the predecessors of the statues of Egyptian gods and goddesses in the shape of animals. on that point were terra-cotta figures of women--probably the slaves from the African tribes--which probably were to represent the Mother Goddesses. However the art of the Old Kingdom had much more to borrow from that prehistoric period than practiced bits and pieces of ideas here and there. Probably the mo st important thing that the Bronze epoch should be noted for in this context is the development of the canon of Egyptian sculpture.Here is quite long, but very complete and precise description of the word canon given by the Polish Egyptologist Kazimierz Michalowski in his book called large(p) Sculpture of Ancient Egypt 1) The canon is a historically conditioned atom of indigenous character. 2) It is a result of a mass of observations and experiences that lead to the stamping ground in art of the most typical forms found in reputation but brought down to specific and constant proportions.